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#sampling

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Soundfonts & SFZ

5. The samplers of today are nothing like the samplers of years before. Largely, gone are the days of hardware samplers that can play chromatically & polyphonically using real multisamples that include seamless loop points, & cross fading. Samplers that can still do that are almost exclusively found in software plugins. I’ve found only a couple of exceptions.

Sf2 & SFZ are excellent choices!

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Soundfonts & SFZ

3. Both formats support the ability to be modulated through Midi CC — in real time & through automation. If built into the patch, they can be far more expressive than simple midi keynote on/off.

4. Unlike encrypted formats, the samples themselves are accessible in both formats. Yes, Sf2 is monolithic, but Polyphone, ConvertWithMoss, and others can easily pull them out.

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I often see posts by people who look down upon Soundfonts and SFZ. Here’s some food for thought for these legendary underdogs:

1. Both Soundfonts (sf2) and SFZ are open formats with many open (as well as commercial) tools and plugins. As old as they both are, they are not going extinct.

2. Both support high quality. Sf2 supports up to 24 bit 48khz, and SFZ supports everything.

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Bill Laswell revealed that his manager Roger Trilling originally recorded the phrase "Ahhhhh, this stuff is really fresh", during some studio sessions. According to both Laswell and Roger Trilling himself, the later was imitating a record executive who would reportedly exclaim "this stuff is really fresh!" whenever he heard a song he liked.
This sampled imitation of an executive by Trilling was spoken through a vocoder.
"Change the Beat" by Beside & Fab 5 Freddy became one of the three most sampled vinyl in history, appearing in over 2600 tracks as of 2022.

Thinking of putting together another compilation of these weird sampler workouts for Bandcamp. I've made way too many - and might as well try to organise them a little for easier access or whatever.

Started on this one early this morning and have been working on it throughout the day. This one is called "Moon Disc":

#Sampling
#Breakbeat
#ExperimentalMusic

00:00/01:57

Ein kleiner Leckerbissen für zwischendurch: Der HipHopper Moses Pelham wird von der Neuen Juristischen Wochenschrift (NJW) zur Causa #MetallAufMetall interviewt.

Die Antworten sind ziemlich geschliffen, enthalten aber auch interessante Passagen zum Gang des mittlerweile über 25 Jahre währenden #Sampling-Rechtsstreits und wie sich die rechtliche Unsicherheit auf die künstlerische Praxis auswirkt, Stichwort #Umgehungskreativität

rsw.beck.de/aktuell/daily/maga

AktuellRechtsstreitigkeiten älter als DuSeit über 25 Jahren streiten die Band Kraftwerk und der Musikproduzent Moses Pelham über die urheberrechtliche Zulässigkeit eines Samples. Die NJW hat mit Pelham über das Verfahren gesprochen.