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Mastodon: AboutGet the appKeyboard shortcutsView source codev4.4.0-nightly.2025-04-01

#digitalarthistory

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Harald Klinke<p>New article explores the work of Nestoras Papanikolopoulos, a pioneer of digital art in Greece since 1984. A vital step in recognizing early computer-based art and its marginalization in official discourse.<br><a href="https://dahj.org/article/nestoras-papanikolopoulos" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">dahj.org/article/nestoras-papa</span><span class="invisible">nikolopoulos</span></a><br><a href="https://det.social/tags/DigitalArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArt</span></a> <a href="https://det.social/tags/MediaArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MediaArt</span></a> <a href="https://det.social/tags/ComputerArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ComputerArt</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/GreekArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GreekArt</span></a> <a href="https://det.social/tags/DigitalHeritage" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHeritage</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/ComputerVision" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ComputerVision</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a></p>
Harald Klinke<p>Zombie Canon: The Impact of AI on Art History and Museum Collections<br>April 1 | 12:00 p.m. | Zoom<br>Guest Artist &amp; Scholar Lecture Series: Amanda Wasielewski<br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/GenerativeAI" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GenerativeAI</span></a> <a href="https://det.social/tags/OpenAccess" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>OpenAccess</span></a> <a href="https://det.social/tags/DigitalHeritage" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHeritage</span></a> <a href="https://det.social/tags/CulturalHeritage" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CulturalHeritage</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/ResponsibleAI" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ResponsibleAI</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/MuseTech" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MuseTech</span></a> <br><a href="https://asuevents.asu.edu/event/guest-artist-scholar-lecture-series-amanda-wasielewski" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">asuevents.asu.edu/event/guest-</span><span class="invisible">artist-scholar-lecture-series-amanda-wasielewski</span></a></p>
Harald Klinke<p><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <br><a href="https://enfilade18thc.com/2025/04/07/ten-axioms-drimmer-and-nygren-on-art-history-and-ai/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">enfilade18thc.com/2025/04/07/t</span><span class="invisible">en-axioms-drimmer-and-nygren-on-art-history-and-ai/</span></a></p>
Nullmuseum<p>Bald ist mein Buch fertig...</p><p>Kapitel 1 zur Transformation von Museen und zur parallelen Digitalisierung der Museen. Fallstudie SMB-digital 1990-2011</p><p>Kap. 2 zu Museen und Plattformkapitalismus</p><p>Kap. 3 zu semantischen Netzwerken (z.B. Auseinandersetzung mit Netzwerkvisualisierungen, 🢂Screenshot)</p><p><a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/openglam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>openglam</span></a> <a href="https://hcommons.social/tags/glam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>glam</span></a> <a href="https://hcommons.social/tags/dataviz" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>dataviz</span></a> <a href="https://hcommons.social/tags/netzwerkvisualisierung" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>netzwerkvisualisierung</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/kunstgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>kunstgeschichte</span></a></p>
Harald Klinke<p>PODCAST: Amanda Wasielewski explores the convergence of art history and computer science, highlighting how machine learning can analyze art images and revive formalism. This interdisciplinary approach offers new perspectives on data politics, categorization, and the nuances lost in automation. How can such collaborations reshape our understanding of art in the digital age?<br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/ComputerScience" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ComputerScience</span></a> <a href="https://det.social/tags/Interdisciplinary" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Interdisciplinary</span></a> <br><a href="https://www.cigionline.org/pp/where-do-art-history-and-computer-science-meet-drawing-lessons-with-amanda-wasielewski/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">cigionline.org/pp/where-do-art</span><span class="invisible">-history-and-computer-science-meet-drawing-lessons-with-amanda-wasielewski/</span></a></p>
Harald Klinke<p>Erinnerungen...<br>Memories...</p><p><a href="https://det.social/tags/hashtags" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>hashtags</span></a> <a href="https://det.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalarthistory</span></a> <a href="https://det.social/tags/digitalhumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalhumanities</span></a> <a href="https://det.social/tags/codingdurer" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>codingdurer</span></a> <a href="https://det.social/tags/ai" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ai</span></a> <a href="https://det.social/tags/arthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>arthistory</span></a></p>
Christoph Glorius<p><span class="h-card" translate="no"><a href="https://fedihum.org/@schelbertgeorg" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>schelbertgeorg</span></a></span> sagt um 12:30 <a href="https://fedihum.org/tags/DigitaleKunstgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitaleKunstgeschichte</span></a> <a href="https://fedihum.org/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalarthistory</span></a> in der Cafeteria <a href="https://fedihum.org/tags/DHd2025" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DHd2025</span></a></p>
Harald Klinke<p>Short Course: Watermarks &amp; Computational Art History<br>The Hague, Netherlands, 12–22 May 2025<br>Learn digital watermark analysis with Prof. Rick Johnson (Cornell) at RKD – Netherlands Institute for Art History.<br>Open to MA/PhD students, curators &amp; art historians working with paper-based art.<br>Apply by 31 March 2025: <a href="https://arthist.net/archive/44096" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="">arthist.net/archive/44096</span><span class="invisible"></span></a><br><a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/ComputationalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ComputationalArtHistory</span></a> <a href="https://det.social/tags/Watermarks" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Watermarks</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/RKD" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>RKD</span></a> <a href="https://det.social/tags/Dhd2025" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Dhd2025</span></a></p>
Harald Klinke<p>PhD Scholarship in Digital Art History at the University of St Andrews. Fully funded for 3 years, open to Home/EU and international students. Research areas include AI, digital-born art, 3D modeling, and more. <br>Apply by April 21, 2025. Details: <a href="https://www.st-andrews.ac.uk/art-history/prospective/pgr/funding/#d.en.55930" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">st-andrews.ac.uk/art-history/p</span><span class="invisible">rospective/pgr/funding/#d.en.55930</span></a><br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/PhDScholarship" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PhDScholarship</span></a> <a href="https://det.social/tags/StAndrews" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>StAndrews</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/Funding" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Funding</span></a></p>
Harald Klinke<p>Also by her: <br>“Writing and Reading Digital Art History” by Ana Knežević examines the evolution of art history in the digital age, highlighting changes in media while arguing that core methodologies remain unchanged. It explores authorship, collective writing, and distant reading in digital projects. </p><p><a href="https://www.academia.edu/38335846/Writing_and_Reading_Digital_Art_History" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">academia.edu/38335846/Writing_</span><span class="invisible">and_Reading_Digital_Art_History</span></a></p><p><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/Cyberculture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cyberculture</span></a> <a href="https://det.social/tags/MediaStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MediaStudies</span></a></p>
Harald Klinke<p>📄 Just found: <br>"Art History Methodology in the Age of Cyberculture" explores the evolution of digital art history, distinguishing between digital and digitized methods. The study highlights how traditional methodologies adapt to new technological contexts without fundamentally changing. <br>By Ana Knežević<br><a href="https://www.academia.edu/37437403/Art_History_Methodology_in_The_Age_of_Cyberculture" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">academia.edu/37437403/Art_Hist</span><span class="invisible">ory_Methodology_in_The_Age_of_Cyberculture</span></a><br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/Cyberculture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cyberculture</span></a> <a href="https://det.social/tags/ArtResearch" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtResearch</span></a></p>
Harald Klinke<p>Digital Art History V (Zagreb/Online, 16-17 Oct 2025) explores critical approaches to sources in (digital) art history.<br>Keynotes: Paul Jaskot (Duke) &amp; Chiara Bonacchi (Edinburgh).<br>Call for Papers open until 31 March 2025. <br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/CFP" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CFP</span></a><br><a href="https://arthist.net/archive/43861" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="">arthist.net/archive/43861</span><span class="invisible"></span></a></p>
Nullmuseum<p>Der Vorrat an Heften und Stickern im Fachgebiet Kunstgeschichte der Moderne an der TU Berlin, mit Material zu meinen Projekten mit Studierenden, ist wieder aufgefüllt wenn ihr euch noch was holen wollt.</p><p><a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/museologie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museologie</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/digitalekunstgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalekunstgeschichte</span></a></p>
Harald Klinke<p>Exploring how <a href="https://det.social/tags/GenerativeAI" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GenerativeAI</span></a> transforms art, aesthetics &amp; cultural production, Artificial Aesthetics by Manovich &amp; Arielli is a must-read for anyone in <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a>. Dive into AI’s role in creativity, design &amp; the future of human-machine collaboration. <br><a href="https://det.social/tags/AIArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AIArt</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHumanities</span></a><br><a href="https://manovich.net/index.php/projects/artificial-aesthetics" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">manovich.net/index.php/project</span><span class="invisible">s/artificial-aesthetics</span></a></p>
Nullmuseum<p>In my talk ‘Museum criticism for hackers’ at <a href="https://hcommons.social/tags/38C3" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>38C3</span></a>, I looked at the history of the online collection of the State Museums Berlin, talked about major turning points in digital collections and about a software called GOS developed by the museums in the 20th century.</p><p>The talk is an invitation to participate in the critical development, opening and reflection of digital collections, for example by supporting open knowledge networks such as <a href="https://hcommons.social/tags/Wikidata" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Wikidata</span></a></p><p>The talk was in German, but you can listen to the live translation to English and Portuguese. Links to all the versions, on the CCC server and on Youtube:</p><p>German:<br><a href="https://media.ccc.de/v/38c3-glam-zwischen-lod-und----museumskritik-fr-hacker-innen" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">media.ccc.de/v/38c3-glam-zwisc</span><span class="invisible">hen-lod-und----museumskritik-fr-hacker-innen</span></a></p><p><a href="https://www.youtube.com/watch?v=0XAZLV1DVKM" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=0XAZLV1DVK</span><span class="invisible">M</span></a></p><p>English:<br>On the CCC server, same link as above, change language in the player (little settings wheel lower right)</p><p><a href="https://www.youtube.com/watch?v=PWYuXeRZ8do" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=PWYuXeRZ8d</span><span class="invisible">o</span></a></p><p>Portuguese:<br>On the CCC server, same link as above, switch with wheel lower right</p><p><a href="https://www.youtube.com/watch?v=2CmYAk26wlo" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=2CmYAk26wl</span><span class="invisible">o</span></a></p><p><a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/openglam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>openglam</span></a> <a href="https://hcommons.social/tags/digamus" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digamus</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/digitalhumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalhumanities</span></a> <a href="https://hcommons.social/tags/museology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museology</span></a></p>
Harald Klinke<p>If you haven’t seen this yet: <br>“Critical Digital Art History: Interface and Data Politics in the Post-Digital Era” by Amanda Wasielewski and Anna Näslund. This open-access book dives into AI, digital curation, and post-digitized art history. A must-read for digital humanities enthusiasts. <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/OpenAccess" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>OpenAccess</span></a> <a href="https://det.social/tags/AI" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AI</span></a> <br><a href="https://www.jstor.org/stable/jj.22177852" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">jstor.org/stable/jj.22177852</span><span class="invisible"></span></a></p>
Nullmuseum<p>In meinem Vortrag "Museumskritik für Hacker*innen" beim <a href="https://hcommons.social/tags/38C3" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>38C3</span></a> schaue ich mir die Geschichte der online Sammlung der Staatlichen Museen Berlin an, erzähle von Umbrüchen und von einer im 20. Jahrhundert von den Museen entwickelten Software namens GOS.</p><p>Der Talk ist eine Einladung sich an der kritischen Weiterentwicklung, Öffnung und Reflexion von digitalen Sammlungen zu beteiligen, zum Beispiel durch die Unterstützung von offenen Wissensnetzwerken wie <a href="https://hcommons.social/tags/Wikidata" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Wikidata</span></a></p><p>Den Mitschnitt gibt es online:<br><a href="https://media.ccc.de/v/38c3-glam-zwischen-lod-und----museumskritik-fr-hacker-innen" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">media.ccc.de/v/38c3-glam-zwisc</span><span class="invisible">hen-lod-und----museumskritik-fr-hacker-innen</span></a></p><p><a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/museologie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museologie</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/digitalhistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalhistory</span></a> <a href="https://hcommons.social/tags/digamus" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digamus</span></a> <a href="https://hcommons.social/tags/museumdigital" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museumdigital</span></a> <a href="https://hcommons.social/tags/linkedopendata" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>linkedopendata</span></a></p>
Nullmuseum<p>Museumskritik für Hacker*innen, Mitschnitt hier:</p><p><a href="https://media.ccc.de/v/38c3-glam-zwischen-lod-und----museumskritik-fr-hacker-innen" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">media.ccc.de/v/38c3-glam-zwisc</span><span class="invisible">hen-lod-und----museumskritik-fr-hacker-innen</span></a></p><p><a href="https://hcommons.social/tags/38c3" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>38c3</span></a> <a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/openglam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>openglam</span></a> <a href="https://hcommons.social/tags/glam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>glam</span></a> <a href="https://hcommons.social/tags/lod" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>lod</span></a> <a href="https://hcommons.social/tags/digamus" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digamus</span></a> <a href="https://hcommons.social/tags/digitalhumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalhumanities</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/kunstgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>kunstgeschichte</span></a></p>
Harald Klinke<p>Quantitative Network Analysis in Investigating Global Processes of Contemporary Artistic Production by Júlia Perczel highlights how network analysis aids understanding the global art market. By integrating digital and critical theory approaches, it uncovers art market dynamics, institutional practices, and transformations in local art scenes. However, it also reveals the challenge of balancing institutional analysis with aesthetic considerations.</p><p><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/NetworkAnalysis" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>NetworkAnalysis</span></a></p>
Harald Klinke<p>Martina Bobinac’s study, A Discursive Analysis of 1950–1990 Articles on Croatia’s “Non-European” Ethnographic Collection, traces shifts in the portrayal of the “Other” in Croatian public and cultural spheres. Using Python-based natural language processing, the study analyzes 81 articles to observe a transition from colonial to anti-colonial discourse, aligned with Yugoslavia’s Non-Aligned Movement. <a href="https://hrcak.srce.hr/file/467634" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="">hrcak.srce.hr/file/467634</span><span class="invisible"></span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/PostcolonialStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PostcolonialStudies</span></a></p>
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